TV Review: “The Politician”

“I love you so much. But I know I’m going to do whatever it takes to help you get what you want. And I’m sad for the person that’s going to turn me into.” These words come from the mouth of a sentimental Gwyneth Paltrow in an episode of Netflix’s “The Politician”. In many ways, this line captures the primary contention of the show—that people do morally objectionable things out of love, duty and passion. Produced by Ryan Murphy (“American Horror Story”, “Glee”), the show explores the human pursuit of ‘good’ by chronicling the political journey of Payton Hobart (Ben Platt), beginning with his election to the post of senior class president.Platt is joined by a stellar supporting cast who balance his off-kilter charisma with their own oddities. Paltrow plays Hobart’s mother, Georgina Hobart, a socialite whose sophistry is matched only by her compassion. While Paltrow has been uneven in her performances of late, she shines in this show. She is certainly not a relatable character, with wealth and problems beyond the comprehension of the average viewer. Still, she connects with the audience, and her emotional beats land with force.At school, Hobart is complemented by rival Astrid Sloan (Lucy Boynton) and love interest River Barkley (David Corenswet). Jessica Lange also stars as Dusty Jackson, a woman who manages to compel despite being clearly deranged. While the relationships between these characters often veer into perplexing territory, the performances ground the far-fetched plots, and nothing ever feels utterly unrealistic. In particular, the chemistry between Platt and Corenswet are utilized well—the tragedy that plays out between their characters is one that tugs at the heartstrings.The aesthetic of the show stands out as well. Ryan Murphy brings his signature gloss to the production—bright colors, pink tints and California sunshine contribute to this effect. Costuming also impresses, with bold palates that reflect the personality of each character. While overall design choices are not dissimilar to several other “teen dramas,” “The Politician” never feels inauthentic in its embrace of the tone that the cinematography and costume design create. Of course, the show would be remiss not to utilize the musical talents of this cast. Platt delivers several loving musical tributes, including covers of “River” and “Vienna.” The songs do not seem out of place, and they advance the plot in a way that seems grounded in realism and emotion. I would be wrong to call this show a musical series, but, when it does make use of musical elements, it does so with poise and elegance.The show is also, in some ways, groundbreaking in terms of its representation. Yes, the cast is very much majority-white. Nevertheless, sexuality is explored in a way that does not make being gay, bisexual or queer a plot point. Rather, it is inauthenticity that is condemned in the microcosm of Hobart’s high school. Hobart, a cunning, manipulative political force of nature, does not see his fluid sexuality as preventative of his success. There is a bold representation of homosexuality, but matters of identity do not feel present for the sake of being present.For a show about winning elections, it is also surprisingly unpredictable. Changes occur constantly, and political intrigue becomes personal. It is simply masterful how Murphy creates tension even after plot lines have apparently been resolved, driving the show along as though it were an unstoppable train. Even after the student government election, Hobart faces challenges that arise due to his earlier actions, and the resolution to his crises is just good television.Trust me, “The Politician” is worth a watch. While it may seem to be just another “teen drama,” the last episode brings forward its true promise. Certainly, this show seems to be one of the most promising premieres of the season, and I—for one—look forward to another round of Payton Hobart’s machinations.